 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
SANTA CLARA AND SAN JUAN
Click on the photograph for an enlarged view. |
|
|
| AUTUMN BORTS, SANTA CLARA |
We are fortunate to be working directly with Autumn Borts from Santa Clara. She comes from a long line of distinguished and talented potters. Her great grandmother was Christina Naranjo, her grandmother is Mary Cain, her mother is Linda Cain, and her sister is Tammy Garcia. These women have contributed so much to the world of traditional pottery from the Santa Clara Pueblo.
A review of Autumn's work in Native Peoples Magazine states, "Autumn Borts has quietly arrived at her place among the best of today's contemporary ceramicists. Her unhurried but steady climb upward over the past ten years has been marked by many successes, among them several important commissions (including one from the Museum of Indian Arts and Culture in Santa Fe), inclusion in a number of distinguished museum and gallery exhibitions, and, most recently, acceptance into Santa Fe Indian Market. "Pottery ties me to an ancient tradition; it connects me to my ancestors. Knowing that a thousand grandmothers did this before me is amazing, and to have been born into this heritage is a gift."
Autumn is interested in continuing to create the old style shapes and designs in her work, as well as exploring new, more contemporary pieces. She works in both black ware, and red and tans, creating her own polychrome elements with floral patterns, figurative designs, and other new shapes. We are so pleased every time we acquire a new piece from her, as each one is different from the others, and each one has its own unique qualities.
Based on pre-historic forms, Autumn has coiled and carved a stunning effigy bird figure. This parrot is fully carved, with dynamic floral images, as well as Pueblo spirals. The contrast between the polished areas and the matte carved areas is gorgeous on this bird. All the elements on this piece are so well proportioned. The beak, the eyes, the head, the body, the flowers; it all just sits so nicely on a small rounded bottom. We are so pleased to show this outstanding new work.
#SC9128 -
5” high by 6” long
Price: $4000 SOLD

|
|
|
| DOLORES CURRAN, SANTA CLARA |
Dolores Curran is the daughter of the late Ursalita Naranjo, and the sister of the well known potter, Jeri Naranjo. Dolores has won almost every prize there is for her pots that have the cream colored painting on top of a red polished pot. The intricacy of her painting is almost unbelievable. When you look at them up close, it is hard to understand just how a person can have such a steady hand. Her work is highly collectible and widely sought after. She won BEST OF DIVISION at the Santa Fe Indian Market, and has won accolades wherever her pots are seen. For anyone interested in the finest miniatures made, these pots would be a noteworthy addition to your collection.
We all know that Dolores is an amazing painter and sgraffito artist. Sometimes a piece comes along that just knocks you out a bit. For me, this is one of them! This is one of the most exacting, meticulously painted/incised plates I have seen. The workmanship seen here is at the highest level. There are two Avanyu around the top border of the plate, separated by other symbols. Then a band of prayer feathers, in the matte finish are separated by polished stair stepped designs. The center of the plate has a medallion that is both matte and polished. There isn’t a single space on this creation that is not perfectly designed. Even the backside of the plate has a pattern. This is absolutely fabulous.
#SC3126 -
¾” high by 3 7/16 wide
Price: $1100

|
|
|
| DEBRA DUWYENIE, SANTA CLARA |
Debra was born in Espanola, just outside the Pueblo. She has lived her whole life in Santa Clara, but she spent her summers with her grandparents in Manitou Springs, Colorado. They were the caretakers of the Cliff Dwellings Museum. Her grandparents spoke only Tewa to her. Debra started making pottery in 1979. Her mother, Genevieve Gutierrez was her main teacher. Debra had been the Secretary to the Dean at the Institute of American India Arts in Santa Fe, but now she is a full time potter. All her work is made in the most traditional ways .She specializes in highly polished seed bowls with the most intricate, detailed etching of designs. She mixes and combines slips to make her pots black and red. Using cord wood, cow, and horse manure, she fires her pieces right behind her house. Her exquisite carvings are made with sharply pointed scribes, cut from the handles of chain-saw files. She often carves turtles, hummingbirds, sun-faced designs, clouds, and Kiva steps. I think her SGRAFFITO techniques allow her to create some of the nicest pieces of pottery available today. She is married to Preston Duwyenie, the well known Hopi potter.
Debra has recently been doing some beautiful black pieces. This seed bowl is expertly incised with a turtle on the top, then a circle of précised feathers. Below that are clouds and Avanyu and then stair stepped mountain images. The piece fired beautifully to a dark black hue.
#SC71112 - 2 ¾” high by 3 ¼” wide
Price: $550

|
|
|
| DEBRA DUWYENIE, SANTA CLARA / PRESTON DUWYENIE, HOPI |
This plate was made by Preston and then polished by Debra. The back is fully polished and the front has also been fully polished and then the designs incised into the clay. The central medallion is a sun face with very tightly etched feathers. There are seven turtles surrounding the sun face, each with a different design on its back. Note the one turtle with the wavy lines, which is meant to represent Preston and his shifting sand pottery. Surrounding the turtles are dragonflies and around the rim is a water serpent! There is an amazing amount of design for such a small piece, but it all works so beautifully. It is always interesting that Debra does all of her sgraffito work into the clay before they are fired, which adds to the difficulty of her work. One can see why both Preston and Debra have won numerous awards for theirr pottery at events such as Santa Fe Indian Market and the Heard Museum Indian Market. Congratulations again for winning a red ribbon in the Miniature category at the Heard show in March of 2013 !
#SC31312 - 4.75" diameter
Price: $650

|
|
|
| GRACE MEDICINE FLOWER, SANTA CLARA |
Across the board, people believe that Grace Medicine Flower is certainly one the most important contemporary potters of our time. She is a member of the famous Tafoya family of Santa Clara. Her well-known father, Camilio (Sunlower) Tafoya was Margaret Tafoya's brother. Grace was born in 1938, and at an early age learned to make pottery. With her brother Joseph Lonewolf, they pioneered the art of sgraffito - carving and incising delicate designs into unfired pieces of pottery. Over the years, Grace and Joseph elevated that tradition into perfection. Grace is able to create perfectly constructed and etched miniatures, as well as larger decorated and polished vessels. Grace has stated, "I thank God for giving me the hands to create pottery. I talk to the the Clay Lady and promise to do my best to make her beautiful." Grace has been able to integrate traditional methods of pottery construction with her own strong sense of a personal history. She is one of those magnificent potters that combine tradition with innovation, and we are so fortunate to be able to see the results of her timeless commitment to this art form.
Oh my – It is startling sometimes to see what Grace can create. Over the years, she continues to delight us with her efforts and her skills. Every single bowl she creates is different from the last one. She never knows until she is well into the creation of the piece, just how it will turn out. This flat black medallion pot shows such a nice balance and symmetry. The central medallion on the top of the piece is incised with butterflies and then feathers are carved around it, as if to make a beautiful border. A second medallion on the top is incised with a hummingbird getting nectar from the flowers. The rest of the top is deeply carved with stylized eagle tails. The matte bottom also has two medallions with the same hummingbird, flowers and butterfly. Grace was so meticulous on this piece and the carving and incising is exquisite. It is a wonderful example of her work in black.
#SC1191 - 1 3/4" high by 5 3/4" wide
Price: $5500

|
|
|
| GRACE MEDICINE FLOWER, SANTA CLARA |
In the last three years, Grace has made a small number of miniatures for us. Here is her newest- a polychrome fish seed bowl. SIX fish are on the top; four black and white, and two red and green. She has even carved the bubbles coming from their mouths. The bottom of the bowl is magnificently carved with spirals and curves – polished red and slipped tans. It is a wonderful composition. Grace makes so few pieces every year; we are honored to continue to show her newest works.
#SC9124 - 1 ½” high by 2 ¼” wide
Price: $2950

|
|
|
| JODY FOLWELL, SANTA CLARA |
Jody Folwell is one of the most important innovators of our time. She experiments with abstraction, composition, movement, themes and textures. Because of her work with different slips and firing techniques, her polished pieces take on different colors, shades, and textures all within the same piece of pottery. For those of us who have become interested in contemporary pueblo ceramics, the importance of Jody Folwell is now a matter of record. Her courageous deviations form the traditions of her time are an inspiration for other potters for years to come. This vase is beautifully shaped with its asymmetric opening. The vase itself is a consistent red/brown polished piece with terrific incising of lizards and wolf. Matte areas are carved along with the gently incised squares, x’s and lines. The detail work is so complete.
#SC1086 - 5" high by 4 1/8 " wide
Price: $1450

|
 |
| POLLY ROSE FOLWELL, SANTA CLARA |
Polly Rose, daughter of esteemed potter, Jody Folwell, is
an incredible potter in her own right. Like her mother, and
sister (Susan) she too, has won numerous awards. Born in 1962,
she has been creating beautiful pieces of traditional pottery
for many years now. So many of the breakthroughs made by her
mother are also evidenced in Polly's works. She is both imaginative
and creative. Her polishing skills rival many other potters.
Polly Rose just recently won the 2003 Best of Pottery award
at the annual Heard Museum Guild Indian Fair and Market.
This new piece by Polly shows off so many of her terrific skills-all in one pot. The shape is great, with the design work showing off so well on the top of the bowl. The uneven opening is beautifully formed and actually has a “notched” look – as she has carved into the actual lip of the pot. The classic "Folwell browns" are in place; variations of hues of brown. This time she has a contemporary flair, adding the wide band of designs in the foreground set against the incised X’s of varying sizes. The polishing throughout is terrific.
#SC396
- 4" high by 5 1/4" wide
Price: $1250

|
|
|
| SUSAN FOLWELL, SANTA CLARA |
Susan Folwell was born in 1970. She is the granddaughter of Rose Naranjo, and the daughter of Jody Folwell. Even though she grew up in a major pottery making family, Susan did not plan on being a potter herself. She studied design and fine arts photography at the Center for Creative Studies in Detroit, Michigan, "My studies were focused on two dimensional design, but in pottery, one must think in a three dimensional way." After college, she worked for a professional photographer, but soon found that she was yearning for more creative expression. She soon returned home to New Mexico and began her professional life as a potter. While still using Native clays and firing techniques, Susan is now considered to be on the cutting edge of the contemporary pottery field. She uses her own designs and forms, combining various symbols from many Indian cultures. We have worked with Susan for several years now, and it has been such a delight to watch her grow and challenge herself as an artist. In a short number of years, she has become one of the most sought after Pueblo potters of our time. This is a very contemporary jar coiled by Susan. Multiple lizard images abound! Slipped in browns and tans, and incised on top and bottom, they all appear to be moving on the pot, not static in any way. Using them in the foreground set amongst geometric blocks, squares and circles adds great visual interest to the piece. She has used a combination of native clays and added paints added over some of the painted areas. This adds some real 3 D effects to the overall look. If you look at the lip of the jar, you can see beautifully incised “X” designs. This same theme is repeated with nine detailed rows of “X’s on the bottom of the jar. This shape is nicely conceived, a beautiful canvas for her imagery.
#SC5108 - 8” high by 5” wide
Price: $975 SOLD

|
|
| GOLDENROD (GLORIA GARCIA), SANTA CLARA |
Goldenrod is the name used by Santa Clara potter Gloria Garcia. Gloria, with the assistance of her husband, John, creates beautiful sgraffito pottery. Both of these potters come from well respected families. Gloria is the daughter of the late Petra Gutierrez and the sister of Minnie Vigil, Thelma Talachy and Lois de la Cruz (Lois and Derek). John is the half-brother of Tina Garcia, Greg Garcia and Virginia Garcia. Gloria and John's pottery collaboration has been most fruitful as they have won many awards and appeared in shows all over the United States. This is a very nice sized seed bowl from Goldenrod. Magnificently incised, it depicts various frogs and long necked cranes. The polishing is wonderful, and intricacy of this particular bowl is remarkable. Gloria always does such a wonderful job of incising. It is a pleasure to show her work. Notice that the cranes are in different poses, with flying birds above, and beautiful cattail plants in each of those frames.
#SC31313- 2 ½” high by 3” wide
Price: $700 SOLD

|
|
| GOLDENROD (GLORIA GARCIA), SANTA CLARA |
This seed bowl is different from anything I have seen from Gloria. It shows a horse, but rather than typically standing on all fours, this horse is upright in almost a dancing position. A small rabbit sits the left of the horse. Like her other work, it is beautifully incised and magnificently polished.
#SC121015-
2 ½” high by 2 ½” wide
Price: $600

|
|
| TINA GARCIA (DECEASED), SANTA CLARA |
Tina Garcia was a sister of Greg Garcia and granddaughter of Severa Tafoya. She was renowned for her re-creation of classic Santa Clara forms. Her vessels are traditionally coiled and very highly polished. It is the balance of form and the simplicity of design which was definitely a hallmark of her pottery. Here is a fully polished kiva bowl, with a step design rising from the back of the piece. The "kiva steps" are representative of the Kiva, which is where all ceremonial religious activities take place. The shoulder on the bowl is very sharp and creates a beautiful edge as the piece rises to the terraced side. The inside of the bowl is slipped with micaceous clay. This piece is in excellent condition with no chips, cracks, restoration or repair. Tina won numerous awards for her pottery at Santa Fe Indian Market and the Heard Market, and her work can also be found in museums around the country. This is such an elegant example of her marvelous polished ware.
#SCSC3138-
6 ¾” high by 8” wide
Price: $900

|
|
| GARY GUTIERREZ, SANTA CLARA |
Gary Gutierrez, “P’aa-Ay-P’in”, or “ Deer Mountain”, was born in 1967. He is the son of potters Dororthy and Paul Gutierrez . He began working with clay at the age of 9. Gary says that his inspiration to make pottery comes from the Anasazi people. Gary specializes in hand making what he calls Anasazi figurines. “To me they represent a time, when life was simple and balanced in this world.” Gary’s favorite one’s to coil are the figures that hold the pottery. He does very fine human figures that are well formed and beautifully polished. His figures always have difficult and complex surfaces to polish so Gary uses pencil-shaped stalactites as polishing stones. The finish he achieves using these stones is truly remarkable. Gary used to pot part-time only (at one time playing in a Los Angeles rock band and returning to Santa Clara to fire) but due to the increased demand for his work he now pots full-time.
Here is a pair of beautiful black carved Corn Maidens. The one on the left is holding a wedding vase, and the one on the right features an ear of corn. Both maidens are wearing carved triple strand necklaces with pendants, all polished against a carved matte background. The backsides are completely polished. They are so beautifully conceived and executed.
#SC11312-
A) With wedding vase 6 ¾” high by 3” wide
Price: $500 SOLD
B) With ear of corn 6 ¾” high by 3” wide
Price $500
SOLD

|
|
| LOIS GUTIERREZ, SANTA CLARA |
This magnificent, hand coiled and intricately painted vessel was made by Santa Clara artist, Lois Gutierrez. Lois has a very unique and easy to recognize style. It is unlike the traditional red and black ware typically seen in this pueblo. This beautifully crafted vase has a very unique shoulder area and perfect symmetry. A beautiful eagle pattern that repeats three times around the piece is painted in soft earth tone colors that give the piece a very traditional feel. Below the offset shoulder are geometric wave patterns in the same color scheme. The lip is slipped a terra cotta color, and the inside of the neck is beautifully polished. This piece is absolutely breathtaking!
#SC5137- 10” high by 11” wide
Price $2200

|
|
|
| DEAN HAUNGOOAH, KIOWA/SANTA CLARA |
Dean Haungooah is the son of noted potter Art Cody Haungooah and Martha Suazo. Like his father, his traditional, hand coiled sgraffito pottery features extremely detailed animal imagery. These two seed pots show his precision of incising. The brown and tan coloration is beautiful.
#SC21215 - A) Brown and tan hand coiled and incised Mimbres spider seed pot
1 1/2" high by 1 3/4" wide
Price: $295
SOLD B) Brown and tan hand coiled and incised Quail seed pot
2 1/4" high by 2" wide
Price: $395

|
 |
| JOESPH LONEWOLF, SANTA CLARA |
In the late 1960’s, Joseph Lonewolf began using the sgraffito technique on his pottery. This technique was also used by his father, Camilio Tafoya, and sister Grace Medicine Flower. Using the tip of a pocketknife blade, he began to lightly scratch away the surface of the clay, creating precise animal designs. Using different amounts of pressure, he was able to create various effects on his pots. The pots are fired outside, in the traditional manner. Joseph signed each piece, and assigned a serial number to the bottom.
This piece was made in 1997. It shows the Mimbres Deer in two tones of red. The back of the pot is polished to a very high sheen of red. A photo of Joseph holding this pot accompanies it.
#SC1109 - 1 ¾” high by 1 ¾” wide
Price: $1600

|
|
|
| JOHNATHAN NARANJO, SANTA CLARA |
This is our second piece by the young artist, Johnathan Naranjo. He is the son of well known potter, Forest Naranjo, and grandson of Bernice Naranjo. Even though he has been working only a few years he is clearly excelling in the family tradition of hand coiling and incising brown polished pottery. This bowl shows five horses, galloping around the top of the bowl with swirls and spirals framing the running horses. There is also a carved band around the lip, adding extra texture and dimension to the piece. He is certainly a potter to watch.
#SC11310 - 2 ½” high by 4 ½” wide
Price: $395

|
|
|
| JOHNATHAN NARANJO, SANTA CLARA |
I spent quite a bit of time two weeks ago getting to know Johnathan. He is so delightful, thoughtful, kind, and very hard working. He is definitely a young talent to watch. Johnathan is committed to preserving his cultural heritage through his traditional art form. This stair stepped tall vase, is such a blend of tradition and modern form. It shows four distinctive panels, each with an incised Deer Dancer. The squared off edges, with the stair stepped opening reveals a terrific shape. The areas around the opening have been left matte, and the rest of the vase is polished to a deep brown tone. Paying close attention to his design work, the Deer Dancers are deeply incised on the borders, and lightly incised on the inner bodies. It is as if he has “framed” the actual image of the Dancer. It’s creatively done. I am so pleased about working with a young new talent. Johnathan was working full time until recently, and has now decided to devote all of his time to being a potter. He learned a lot from his grandmother, Bernice, and she should be thrilled with the results.
#SC31322 - 9 ¾” high by 4” wide (at the widest point)
Price: $900 SOLD

|
|
|
| JENNIFER MOQUINO, SANTA CLARA |
Jennifer Moquino is one of the brightest new artists from Santa Clara pueblo working in the sgraffito area. Her incising work is particularly detailed and precise -- revealing great accuracy and fabulous use of color. Her themes are of wildlife and fish in stunning realist detail with fabulous traditional Santa Clara geometrics adding a great finish to her work.
Jennifer is the daughter of Emily Suazo-Tafoya and Ray Tafoya. She and her husband, Mike Moquino, work together, and are producing outstanding work. In 2004, Jennifer was honored with BEST OF POTTERY at Indian Market, in Santa Fe. She continues to expand her repertoire of designs and shapes. Every new piece of incised pottery by Jennifer is unique and special. As her images continue to change, she continues to use natural slips and pigments that make for wonderful finished work!
I think we can all see why this piece just won BEST OF DIVISION at the Heard Museum Indian Market (March 2012) It is a fabulous example of the best work that Jennifer creates. Extraordinarily detailed, each of the four medallions features a different animal. There are coyote, mountain lion, bob cat, and kit fox, all in their natural surroundings. In the backgrounds there are exquisite fish, birds, plants, and gorgeous pink flowers. What is particularly nice is how well this display of incised “cats” so perfectly fit the shape of the jar. It is not too crowded, just the right amount of design work. What an exceptional new piece from Jennifer, exhibiting marvelous realism.
#SC3123 - 3 ½” high by 3 ¼” wide
Price: $2400 SOLD 
|
|
|
| RUSSELL SANCHEZ, SAN ILDEFONSO / JENNIFER MOQUINO, SANTA CLARA |
Russell and Jennifer collaborated on a jar that they entered for judging at Indian Market, 2012, and it won Best of Division in pottery. This is their next piece together. Russell coiled a lovely bird effigy figure with wonderful angles and ridges, showing the structure of the wings. This form is so hard to coil, but a challenge that Russell achieved. He was inspired by the old San Ildefonso great birds that were seen in the paintings of the early 1900s. He did the carvings, polishing and the firing, and then added the green turquoise Heishi, turquoise eyes and copper bands. Jennifer incised a beautiful bear with a trout in its mouth in the body of the bird. The colors are soft and muted. This bird is a wonderful form, and lends itself well for this joint effort. It is one of a kind creation by two skilled potters.
#SAN9121- 8” high by 5” wide
Price: $6800

|
|
|
| JENNIFER MOQUINO, SANTA CLARA |
Jennifer is very interested in different shapes and forms, and wanted to create a round tile. So using her bear imagery – the mamma bear and two cubs, she exquisitely polished this black disc. Notice how one cub is actually nestled into the bear’s chest.
#SC10122 - 2 ¾” wide
Price: $350

|
|
|
| JENNIFER MOQUINO, SANTA CLARA |
This is the first time we have had this imagery from Jennifer, and it is quite remarkable. The main animal in the center of the plate is an ocelot. It is also known as the dwarf leopard and is a wild cat distributed extensively over South America and Mexico. They have been reported as far north as Texas. There are rare sightings in southern Arizona and New Mexico. The ocelot is similar in appearance to a domestic cat. Its fur resembles that of a clouded leopard or jaguar. Jennifer depicts it to perfection. She has added four bounding rabbits jumping above the ocelots. The colors, the incising, the polishing; everything about this plate is wonderful.
#SC5131 - 3 7/8” wide
Price: $800

|
|
|
| JENNIFER MOQUINO, SANTA CLARA |
This is a delightful turtle lidded box. Ten turtle are incised on the side panels, along with four fish swimming by. The colors are bright and clear. The lid has a sculpted turtle on top, but in addition, Jennifer has incised eight dragonflies circling around the detailed turtle that has a colorful feather pattern on his back. It’s a great design.
#SC3125 - 1 ¾” high by 1 ¼” wide
Price: $480

|
|
|
| JENNIFER MOQUINO, SANTA CLARA |
This is a lovely butterfly seed pot by Jennifer. One side shows a ruddy dagger winged butterfly with outstretched wings and the other shows a Milbert’s Tortoiseshell butterfly. A beautiful band of light pink flowers runs through the center of the pot. Nice detail work!
#SC5132 -1 ½” high by 1 ½” wide
Price: $525 |
|
|
| JENNIFER MOQUINO, SANTA CLARA |
I love when Jennifer makes small intricate lidded pieces. This is such a nice shape, and the tiny sculpted bear on the top gives it such a complete feel. She fit nine swimming trout on the bowl; not crowded, just beautifully incised into a lovely composition.
#SC5133 - 2” high by 1 ½” wide
Price: $550 |
|
|
| JENNIFER MOQUINO, SANTA CLARA |
We have had a black mamma and bear cub family, but here we have a new brown pair. The work on these two figures is beautiful. Each one has feathers, fish, and geometrics on their backs, Very soft in tones and hues, they are a terrific duo.
#SC3136 - Mama bear 1 ½” high by 2 ¾” long
Baby cub 1” high by 1 1.2” long
Price: $220 for the set of two

|
|
|
| RUSSELL SANCHEZ, SAN ILDEFONSO AND JENNIFER MOQUINO, SANTA CLARA |
Congratulations to Russell and Jennifer for their BEST OF CLASS award on their bear lidded bowl at this month’s Heard Museum Indian Market. Here is an exquisite smaller example of their work together. Russell coiled the vase, then carved, fired, slipped, and polished the piece. Jennifer did the incised design work, and Russell added the strands of Heishi and the copper work. They have created an asymmetrical jar, with tremendous amount of texture to it. One side is designed to be quite flat. Russell has carved the mountains and the black mica bands of rain to give the vase a 3D effect. You can see an entire mountain landscape; forests, brush, antelope, snow capped mountains and a soaring bird. There are copper accents with two strands of Heishi and the addition of Russell’s trademark dots. Notice the beautiful varying shades of reds and greens on the bottom area, below the copper. It is truly wonderful.
#SAN3134- 4 ½” high by 3 ¼” wideh
Price: $2600 SOLD

|
  |
| JODY NARANJO, SANTA CLARA |
Jody Naranjo, has grown up in a family of celebrated potters. At age 19, she received a fellowship from the Southwestern Association of Indian Arts. Then in 1992, she won first place in contemporary sgraffito at the Indian Market in Santa Fe. All her pots are sculpted from traditional clays. She is successful in blending traditional and contemporary art forms by carving contemporary images onto traditionally made pottery. Her unique whimsical designs are etched into the clay with an exacto knife.
Growing up with over 20 family members who made pottery, she knew the entire process by the time she was 6 years old. This early knowledge of the art form resulted in Jody pushing herself to be as good as she could be. Her mom, Dolly, is a talented potter and teacher, and her aunt Jody Folwell, is one of the innovators in contemporary Pueblo pottery. What a great family of potters! Jody continues to produce new designs and shapes constantly changing and evolving.
This is one of our favorite pieces by Jody Naranjo. Everything about it is unique and compelling. The shape; tall and thin and very sculptural is a fascinating aspect to this creation. The canvas of the pot is fully covered with turtles and spirals. Particularly nice is the use of the spirals on the top of piece and balanced so well by using them again on the bottom area. The carved, stair stepped opening gives such a unique sculpted appearance. This is really a marvelous example of Jody’s creative work.
#SC91212 - 17” high by 5 “wide
Price: $7400

|
|
|
| JODY NARANJO, SANTA CLARA |
I had seen a very large jar Jody had made with spirals and birds. There was a single band of these carved symbols, and the rest of piece was polished and incised with Jody’s classic four directional symbols. I asked if she would be able to something similar, in a smaller size and shape. As always, she is so willing to try what is asked of her. She created exactly what I was hoping for, and here it is! Birds are in flight, soaring amongst the carved spirals. Please enjoy her new work!
#SC91213 - 7 ¼” high by 4 ½” wide
Price: $1400 SOLD

|
|
|
| MADELINE NARANJO, SANTA CLARA |
Madeline Naranjo is a fine young potter who combines an excellent polish with unusual carved designs. She is named for her grandmother (Madeline Naranjo) who is a well respected potter. Madeline's husband is Adrian Garcia, the son of well known Santa Clara potters Effie and Orville Garcia. Adrian, who used to make sgraffito style pottery, is completely involved in the pottery making process and has been responsible for many of their unusual designs.
Madeline has been potting since 1991 when she was taught by her grandmother (her mother was not a potter). As a couple, Madeline and Adrian were instructed by a little known Santa Clara potter named Julie Gutierrez. Madeline makes the pots but both she and Adrian work on designing and carving. Madeline then does the cleaning and polishing and then they fire together. Madeline and Adrian's wares are greatly admired for the highly polished finish and meticulous designs. Madeline and Adrian are full-time potters who have devoted themselves to preserving the ancient craft of the Santa Clara region and to producing high quality pottery which is truly representative of their people. They have won awards at recent Santa Fe Indian Markets and have also found time to have three daughters. A nice photograph of Madeline and Adrian may be found in the Gregory Schaaf book "Pueblo Indian Pottery - 750 Artist Biographies" under "Adrian Garcia" on page 29.
This is a stunning new bowl from Madeline. Here she is depicting two Avanyu, facing each other, deeply carved. The polishing is terrific, and there is a lovely balance between the polished areas on one water serpent, and the matte surfaces on the other. She is a very talented potter, and continues to excel in her carved imagery.
#SC91219- 3” high by 4” wide
Price: $310 SOLD

|
|
|
| MADELINE NARANJO, SANTA CLARA |
This is definitely the largest jar we have acquired from Madeline. Known for her smaller pots, she has been putting great efforts into coiling larger bowls. This is an actual story bowl called “The Original Social Network” Here is Madeline’s beautiful explanation: “There is a story behind it...I have been noticing how few people in the Pueblo "communicate" with one another like when I was younger. From that, I remembered how as a child, my grandparents would take us visiting with them. The piece shows, children playing hide and seek, a small group of men talking and telling their "stories" ha-ha like hunting tales. There is a scene of two teens enjoying sitting outside under the sun. The last one is of a mother and a grandmother, sharing the responsibility of child care. Which is how I grew up; my mother and father really depended on my grandma to help take care of me and my sister. I also help my daughter a great deal with my grandson...because it takes a community to raise a child...can't do that alone -And that's the story behind the piece.” I think that says it all.
#SC121228- 6 ½” high by 6 ½” wide
Price: $1800

|
|
|
| SHARON NARANJO GARCIA, SANTA CLARA |
Sharon Naranjo Garcia was born in 1951 on the Santa Clara Pueblo, but has been living in San Juan for the past twenty years. Sharon was raised by her grandmother, Christina Naranjo, who is the matriarch of a large family of famous potters. Christina not only taught Sharon the Pueblo Indian way of life, but also started her on the trail of becoming an excellent potter. In July 2003, Sharon won the "Best of Show" award at the Eight Northern Pueblo Show, winning the highest possible award in the show. She says, "I feel very lucky to be able to earn money doing what I love." Sharon often makes beautiful water jars, sometimes undecorated and often using bear paws and Avanyu as carved symbols.
This jar, made in 2007 is a classic example of her carved ware. Soft curves and rounded edges, this shows the carved water serpent.
#SC51212 - 6” high by 7 ¼” wide
Price: $750

|
 |
| LINDA TAFOYA SANCHEZ, SANTA CLARA & JEREMY OYENQUE, SANTA CLARA/SAN JUAN |
Linda
Tafoya is the Granddaughter of Margaret Tafoya and
the daughter of Lee and Betty Tafoya. Born in 1962, Linda
began making pottery at the age of twelve. She learned this
art form from her aunt Mary Archuleta as well as from her
parents. Linda has created a name for herself with her own
unique style. She has created a contemporary adaptation of
the traditional Santa Clara carving style. She frequently
uses a micaceous slip to decorate parts of her pots. Her carvings
are deep, and clean, and very graceful. Her images are so
well defined, with such exceptional accuracy with the carvings.
Linda has won numerous awards
and prizes, including "Best of Division" and "First Place"
at the Indian Market in Santa Fe. Right now, Linda's polishing
work is so exceptional -- her pieces are a work of real beauty.
Oh my - FIFTY FIVE feathers all magnificently carved and polished! Mother and son, Linda and Jeremy, worked on this piece together, Jeremy actually coiled the jar, and Linda designed, carved, polished, and incised it. The elongated feathers follow the gentle curve of the jar. It is large, elegant, and gorgeous. The mica carved bands of San Juan designs makes for tremendous visual appeal. Linda achieved such a high sheen on the pot, it actually glistens.
#SC583 - 9" high by 9" wide
Price: $4500

|
 |
| LINDA TAFOYA SANCHEZ, SANTA CLARA |
Elegance! This large black polished bowl is magnificent. The top border of the bowl depicts polished clouds. Each one has a hole in it representing the rain. There is a black mica design between each cloud, and that mica is carried through the entire inside of the bowl. A black matte border is under the clouds. Below that border is an outstanding carved bottom of feathers…FORTY EIGHT of them! Each one is symmetric and so well polished. What an accomplishment! For anyone who loves traditional black polished Santa Clara work, this is the bowl for you!
#SC31210 -7 ½” high by 11” wide
Price: $3500

|
 |
| LINDA TAFOYA SANCHEZ, SANTA CLARA |
Hard to coil, and keep in good proportion, here is a new pitcher by Linda. The polished areas are terrific. Linda has carved two Avanyu on the piece, each one running in a different direction. The neck of the pitcher is micaceous, and Linda has carved petroglyh symbols into the clay. It’s a unique look. Pitchers are not easy to make, but Linda did a wonderful job.
#SC31211 - 6” high by 7” wide
Price: $2100

|
 |
| LU ANN TAFOYA, SANTA CLARA |
Lu Ann Tafoya is the wonderfully talented daughter of Margaret Tafoya. Like her mother, she is known for her simple shapes and designs. She is particularly well known for her large polished jars and the high quality of her carving. "My Mom and Dad told me to keep doing the traditional design. It has been going on in the family, and each symbol means something …each one has a different meaning.”
This double bellied red jar is absolutely stunning. Known for her ability to coil large pots, this is an example of her simple and elegant shaped water jars. It is 15 “high…just amazing work! The bear paws are impressed into the clay before it is polished and the pot is polished to such a high sheen – it just shines!
#SC199 - 15" high by 12" wide
Price: $7500 SOLD

|
 |
| CAROL VELARDE, SANTA CLARA |
Carol Velarde is one of our favorite miniaturists. Here are three tiny pots by Carol, all beautifully polished.
#SC21233 - A) Mini carved bowl ¾” high by 1 ½”w Price: $50
B) Mini plain jar1 ¼” h by 1 ¼” Price: $40
C) Mini carved jar 1 1/8” h by 1 ½”w Price: $90

|
 |
| NANCY YOUNGBLOOD, SANTA CLARA |
Nancy Youngblood, daughter of Mela and Walt Youngblood, and granddaughter of Margaret Tafoya, is one of the most respected and collected potters working today. Nancy (native name Yellow Aspen) was born at Fort Lewis, Washington in 1955. Raised on numerous army bases, she moved to the Santa Clara Pueblo in 1968 with her mother. It was here that she learned all the traditional ways of making pottery, from gathering her own clay, to refining, shaping, coiling, carving, and polishing techniques. Like her mother and grandmother, all her firing is done outside in the traditional manner.
Nancy’s first piece for competition was a sgraffito serpent design on a miniature which won a second prize at the Gallup Intertribal Ceremonial in 1972. She has been winning awards and competitions ever since, including the coveted “Best of Show” at the Santa Fe Indian Market, and the “Distinguished Artist Award” from the Santa Fe Rotary Foundation in 1997. She is now regarded as one of the finest potters of our time. She strives for perfection which we can see in her precise ridges and carved designs. Her polishing is marvelous as she achieves such deep and rich red and black tones. After 30 years of working at her craft, she says about her best work, “I haven’t produced it yet. That’s to come.”
Known for her black melon bowls of all sizes, this new piece is a perfect example of Nancy’s best work. Look at the complex consistency of the carved ribs and the beautiful black tone she achieves with her polishing. This is a great piece for the collector that has always wanted a Nancy Youngblood ribbed bowl! It has 32 ribs, intricate, symmetrical and magnificently shaped. The bottom of the bowl is small and narrow, and that structure creates an absolute elegance.
#SC9125 - 3 ¾” high by 4 ½” wide
Price: $5500 SOLD

|
|
|
| NANCY YOUNGBLOOD, SANTA CLARA |
This is an example of one of Nancy’s melon bowls that actually takes your breath away. It is simply amazing. In a past interview when Nancy was asked why she doesn’t fire in a kiln, she responded, “If I bought the clay, poured the clay, stenciled the Native American designs on these pots, or used a kiln, there's nothing there anymore. Tradition stops. Tradition means everything to me, it's in my blood.” When you see such a phenomenal traditional melon bowl, we can all understand what she’s talking about. It is wondrous.
#SC21222 - 3” high by 3” wide
Price: $4800

|
 |
|
| NANCY YOUNGBLOOD, SANTA CLARA |
|
Here is a simply marvelous piece in red. The wide symmetric ribs are perfectly spaced and magnificently polished. Nancy is a master at this design.
#SC1102 - 2 3/4" high by 3 1/2" wide
Price: $4500

|
|
|
|
| NATHAN YOUNGBLOOD, SANTA CLARA |
Nathan Youngblood, born in 1954, is the grandson of Margaret Tafoya, and the son of Mela and Walt Youngblood. Along with his sister, Nancy, he is one of the most sought after potters working today. Nathan is a traditional potter, who has won more than 44 awards from the Indian Market in Santa Fe, New Mexico including Best of Class and Best of Traditional Pottery. He lectures in pottery techniques throughout the West and has been profiled in a number of national publications.
Nathan's pieces combine artistry in perfection and balance. His lines are smooth and clean, and his polishing is flawless. Nathan still digs his own clay, hand coils every pot and uses the traditional open fire techniques. When he started making pottery in 1972, he was the sixth generation of artists in his family to take up this honored craft.
In a published interview with Nathan, he responded to a few interesting questions:
"What is the most exciting part of creating your works?"
"It has to be the time when a pot has cooled and I get to take the first look at the piece."
"What do you wish somebody had told you when you were just starting out that might have saved you hours of work?"
"You cannot make the clay do something it doesn't want to do. The clay has a time table of its own." "Be prepared to live your craft."
"I am walking the same road as many young potters (40s and under). I want to move away from the "regional artist" concept and consider ourselves American artists, not simply Indian artists. As I said, in believing in the importance of tradition, I think every potter should stay within his or her own set of perimeters, but I will always be pushing the envelope in terms of shapes, design, and size."
This new water jar is what I refer to as “quiet elegance”. The carving and placement of design elements on this red and tan piece is magnificent. The jar is absolutely pristine. The balance of the deep red polished areas with the deep tan polished areas in contrast to the tan matte bands is lovely. Nathan not only finishes his work to extraordinary levels of excellence, the designing of the carved elements is also phenomenal. Everything just flows.
#SC12109 - 7” high by 6 ½” wide
Price: $8000 SOLD

|
|
|
| NATHAN YOUNGBLOOD, SANTA CLARA |
This fully carved black jar is different from others, in that the opening is actually oval shaped. The lip is magnificently polished. The carvings are deep, and the edges are crisp and pristine. The addition of the mica carved area in a vertical pattern gives such a nice contrast to the rest of the polished areas. No matter what size jar Nathan creates, the design work fits the shape perfectly.
#SC9123 - 3 ¾” high by 3 ¾” wide
Price: $3900

|
|
|
| NATHAN YOUNGBLOOD, SANTA CLARA |
Oh my! The deep red hue that Nathan achieves on this new vase is phenomenal. He has created an asymmetrical all red carved vase. The top is slanted and the carvings depict
avanyu and clouds. There is a double rain cloud medallion with a large inverted thunder cloud. The carvings are so pristine, deep, and remarkably clean. In fact, the carving is so fantastic, that there is almost a 3D effect to the vase. This is a marvelous example of a gorgeous carved monochromatic jar.
#SC2131 - 5 ¼” high by 4 ½’ wide
Price: $5100 SOLD

|
|
|
| SUE AND TOM TAPIA, SAN JUAN |
Look at the polishing on this ribbed bowl! When Sue and Tom make a piece together, it is always marvelous. So much work on both of their parts goes into the creation of this piece. Two medallions show Tom’s precise incising of Katsina, animal tracks, and feather patterns. One Katsina is a drummer figure, and the other is an Ogre (a disciplinarian!)Tom has his own unique and personal technique of etching the surface of the clay to reveal a reddish orange background. Sue’s deep carved ribs and glass like polishing allows those medallions to really shine. Notice the beautiful polished rim around the opening of the bowl. They obviously paid attention to all the details in creating this piece.
#SC10811 - 4 1/2" high by 5 1/2" wide
Price: $1200

|
|
|
| SUE TAPIA, SAN JUAN |
This is a beautiful jar by Sue. The contrasting polished and matte carvings are wonderfully positioned. Notice the tiny hole at the top left representing the eye of a water bird. This is a nicely conceived composition – a lovely jar!
#SC9108 - 6 ½” high by 7” wide
Price: $1200

|
SAN ILDEFONSO, SAN FELIPE, WYANDOT & TAOS • HOPI & NAVAJO • SANTA CLARA & SAN JUAN
ACOMA, LAGUNA, & ZUNI • COCHITI, SANTO DOMINGO PUEBLO (KEWA), JEMEZ & ZIA
POTTERY • SCULPTURE • FOLK ART & BASKETS • JEWELRY • BOOKS • FETISHES
NEW ADDITIONS
GUEST BOOK • ORDERING INFORMATION • CONTACT US • FIND AN ARTIST • GALLERY NEWS • ABOUT US
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |